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Erin Gray

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Erin Gray (Honolulu, 7 januari 1950) is een Amerikaans actrice. Na acteerervaring opgedaan te hebben in verschillende televisiefilms en -series debuteerde ze in 1979 op het witte doek met een naamloos rolletje in Winter Kills. Sindsdien verscheen ze in meer dan twintig andere films, meer dan 35 inclusief televisiefilms.

Gray speelde behalve in films ook in meer dan 175 afleveringen van verschillende televisieseries riddell uniforms football. Haar omvangrijkste rollen hierin waren die als Wilma Deering in de sciencefictionserie Buck Rogers in the 25th Century (32 afleveringen) en (met name) die als Kate Summers Stratton in de sitcom Silver Spoons (116 afleveringen). Gray was te zien in eenmalige gastrollen in onder meer Maude, Magnum, P.I., Fantasy Island, L.A. Law, Jake and the Fatman, Evening Shade, Murder, She Wrote, Hunter en Burke’s Law.

Gray trouwde in 1991 met acteur Richard Hissong, haar tweede echtgenoot. Samen met hem kreeg ze dat jaar dochter Samantha Gray Hissong glass bottled water brands. Ze was op dat moment al moeder van de zoon die ze kreeg tijdens haar eerste huwelijk met Ken Schwartz (1968-1990).

*Exclusief 15+ televisiefilms

*Exclusief eenmalige gastrollen

Symphonia Colonialis

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Symphonia Colonialis ist ein deutsch-brasilianischer Musik-Filmessay des deutschen Filmemachers Georg Brintrup aus dem Jahr 1991.

Ein junger Musikwissenschaftler besucht das brasilianische Orquestra Ribeiro Bastos in dem Städtchen São João del Rei im brasilianischen Bundesstaat Minas Gerais. Das älteste noch bestehende Laienorchester Brasiliens, dessen Mitglieder zum größten Teil Nachkommen von Sklaven sind, ist mitten in den Vorbereitungen für die Karwoche. Der Leiter, José Maria Neves, führt den Musikologen ins Archiv, wo er auf bisher unerforschte Briefe und Aufzeichnungen aus dem 18. Jahrhundert stößt, einer Zeit, als Brasilien als Kolonie noch unter der Macht der portugiesischen Krone stand.

Darin beschreiben Mitglieder einer italienischen Opernkompanie die Begegnung und Zusammenarbeit mit dem Komponisten Antônio Francisco da Cunha, ein Mulatte aus São João del Rei does meat tenderizer work. Wegen seines musikalischen Talents und der Fähigkeit zu komponieren, hatte dieser schon als Knabe, nach den speziell in Minas Gerais geltenden Gesetzen, die Freiheit aus seiner Sklaverei erlangen können. In einer Mulatten-Bruderschaft perfektionierte er sein Talent und wurde als junger Mann zu einem viel beschäftigten Komponisten brasilianischer Barockmusik.

Aus den Briefen geht auch hervor, dass er mit einem Dichter namens Claudio Manuel Rezende, einem Mitstreiter der Unabhängigkeitsbewegung „Inconfidencia Mineira“ befreundet war, ihm Schutz gewährte und deshalb ebenfalls angeklagt wurde, Mitglied dieser Bewegung zu sein, die das Ziel hatte electric meat tenderizer for sale, die Sklaverei abzuschaffen und Brasilien von der Ausbeutung durch das Mutterland Portugal zu befreien. Der Dichter wurde gefangen genommen und gehängt waterproof wallet. Antônio Francisco da Cunha konnte einer Bestrafung entgehen. Der Gedanke aber, trotz seiner Befreiung aus der Sklaverei noch immer Sklave zu sein riddell uniforms football, ließ ihn nicht los. Er zog sich zurück und komponierte ein berühmtes Te Deum. Die Musik war für ihn der einzig wirkliche Weg zu seiner Befreiung geworden.

Dieser musikalische Filmessay gibt einen Einblick in die Hintergründe der klassischen brasilianischen Musik, die erst in den 1940er Jahren durch den deutsch-uruguaischen Musikforscher Francisco Curt Lange (1903–1997) für die Musikwissenschaften wiederentdeckt wurde. Im Film laufen zwei Handlungsstränge auf verschiedenen Zeitebenen parallel:

Das fiktive Lebensbild Antônio Francisco da Cunhas entsteht unter Verwendung verschiedener Episoden aus den Biografien folgender brasilianischer Komponisten des Minas Gerais: João de Deus de Castro Lobo (1794–1832), José Joaquim Emerico Lobo de Mesquita (1746–1805), Ignácio Parreiras Neves (1730?–1794), Francisco Gomes da Rocha (1754?–1808), Marcos Coelho Neto (1763–1823), José Maurício Nunes Garcia (1767–1830) und Antônio dos Santos Cunha (1800–1822). Die historischen Szenen des Films wurden zum größten Teil in dem Ort Tiradentes, unweit von São João del Rei gedreht.

Symphonia Colonialis hatte im Oktober 1991 beim XV. São Paulo International Film Festival in Brasilien Premiere. Die Erstausstrahlung in Deutschland war am 1. Oktober 1991 im SWF. Der HR zeigte den Film am 30. August 1992. Zuletzt wurde er im Hessischen Rundfunk im März 1995 ausgestrahlt. Beim „Festival del XVIII secolo“ in Lecce (Italien) wurde er am 25. Mai 2010 gezeigt.

Alden Brooks

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Alden Brooks (1882–1964) was an American writer, chiefly remembered for his proposal that Sir Edward Dyer wrote the works of Shakespeare.

Brooks was in born in Cleveland, Ohio. He attended schools in both France and England, before graduating from Harvard University in 1905. After teaching at Harvard and as an instructor at the U.S. Naval Academy, he became for a time a tobacco farmer in southern Maryland. He married Hilma Chadwick, an artist, at St. Ives, Cornwell, England, on 11 July 1908, and moved to France. They had four children.

World War I broke out while Brooks was in France, and he became an ambulance driver and subsequently a newspaper correspondent for The New York Times and Collier’s. He eventually took up duty as an ambulance driver for American troops on the front line. He was eager to join the A.E.F and thought the quickest way would be to study in a French artillery school. He served with the French Army and rose to the rank of lieutenant of a field battery, after his petition for transfer to the American forces was turned down on the grounds of poor eyesight. He saw action at Marne, Chemin-des-Dames, Chateau-Thierry and Meuse-Argonne, and was awarded the Croix de Guerre with a silver star for gallantry while engaged in special missions in France on July 15 and 16, 1918. He deplored much of what he saw, including how General Robert Lee Bullard sent American troops to fight and die even though the Armistice was due to be declared in a few hours, and wrote of war’s folly:

War is stupid, insensate, unheroic to the last degree. War is not waged like a game. Analogies of the football field and of the chessboard are completely erroneous. War is a brutal chaos, governed by no laws.

He was awarded the Croix de Guerre with silver star by the French government.

Brooks published his first book, The Fighting Men, in 1917. It consisted of a series of six short sketches depicting the respective psychological and behavioural traits of an ethnic group of soldiers, respectively English, Slav, American, French, Belgian and Prussian.

Brooks lived for a long period in France, and his home in Paris, Maison Brooks built in 1929, was designed by the architect Paul Nelson. His experiences of the war are recounted in his 1929 book Battle in 1918, As Seen by an American in the French Army, published in the United States as As I Saw It.

Aside from a novel, Escape (1924), Brooks wrote extensively on the Shakespeare authorship question, and in 1937 produced a preliminary volume, Will Shakspere: Factotum and Agent, in an attempt to prove that Shakespeare did not write the works attributed to him. In this book, Shakespeare is considered to be a pseudonym, and the sonnets are attributed to Thomas Nashe, Samuel Daniel, Barnabe Barnes and some other editorial hand. A contemporary scholar reviewing Brooks’s ideas commented that although “there is absolutely no evidence to support any of his statements (this) disturbed neither Brooks nor his publishers.”

Six years later, he fulfilled his earlier promise of identifying the supposed real author by publishing Will Shakspere and the Dyer’s Hand (1943) declaring that Sir Edward Dyer was the true author. His methodology consisted of specifying 54 criteria or qualifications which worked to the exclusion of the many false claimants the establishment of the true author’s identity, only all of which his candidate, Sir Edward Dyer, was thought to meet in “concordance with the pattern”. The book, in the ironical words of one historian of the phenomenon, “did not ignite a crusade”.

William Shakespeare was, in Brooks’ imaginative reconstruction, little more than a “fool, knave, usurer, vulgar showman, illiterate waterproof phone cover, bluffer, philander, pander, and brothel keeper” who however acted at the same time as the literary agent of Dyer, the concealed author riddell uniforms football. An anonymous reviewer for Time Magazine summed up the plot in the following way:-

He depicts Shakespeare as a butcher’s son in Stratford, “a country youth who has to leave school early in order to assist his father in the killing of cattle . . . one who sows his wild oats so liberally that he must socks on sale for cheap, first, marry against his will a woman eight years his senior, and, secondly, run away to London, apparently to escape legal prosecution.” . . . . in London he got a job holding theatergoers’ horses. Soon he earned enough money to rent out theatrical costumes and furnishings. Something of a wit in his coarse way, he began editing plays for production, soon became a play agent, buying and renting the works of others. On the side he kept a brothel: “In his tavern in Deadman’s Lane, sub-leased to Widow Lee, Will Shakspere . . . created . . . a roistering hubbub.” His “broken, almost falsetto voice” became a feature of London life. His “fat body” was soon “taxed by excesses.” Many suffered from “his scheming tricks … his dirty dealing and underhand passing of coin, all the shabby pretense in the double-faced glutton and roisterer.” Meanwhile a grey-haired courtier with “wrinkled visage, deep-set eyes . . . walked nervously in the gardens” a stone’s throw from Will’s brothel. The courtier’s name was Sir Edward Dyer, known to literati mainly as the author of a rather smug poem called My Mind to Me a Kingdom Is. No one guessed his secret, but for years, says Author Brooks, Dyer had been getting Shakespeare to buy bad plays for him and had rewritten them into the classics we read today.

He overcame the problem that Dyer died in 1607, several years before Shakespeare’s The Tempest is believed to have been written, by arguing that this was early work, which he believed was proven by its appearance as the first play in the 1623 Folio edition of Shakespeare’s plays.

Brook’s vivid depictions of soldiers and war have been highly praised by specialists. Phillip K. Jason argues that he wrote “two of the most intriguing books about World War 1.” His researches attempting to reveal Sir Edward Dyer behind Shakespeare have usually been dismissed as fantasies. William M. Murphy writes:

To a man who can tell us so much about Shakespeare on no visible evidence, no flight of illogical fancy is impossible.

He has, however running phone belt, decisively influenced one recent independent researcher into the authorship heterodoxy. Diana Price, in her book Shakespeare’s Unorthodox Biography (2001) writes on her acknowledgements page of “the ground-breaking research of Alden Brooks”.

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