Issa Hayatou (born 9 August 1946) is a Cameroonian former athlete and sports executive. He served as the acting FIFA president until 26 February 2016 as the previous president, Sepp Blatter, was banned from all football-related activities in 2015 as a part of the FIFA corruption investigation of 2015. He was the president of the Confederation of African Football (CAF) between 1988 and 2017. In 2002, he ran for president of FIFA but was defeated by Blatter. He is also a member of the International Olympic Committee (IOC).
In November 2010 he was alleged by the BBC to have taken bribes in the 1990s regarding the awarding of World Cup television rights. The IOC has announced it will investigate him. Following the 2015 FIFA corruption case, Hayatou took charge of FIFA, as the acting president, until 26 February 2016 when Gianni Infantino was elected to the position. On 16 March 2017, he was defeated by Malagasy challenger Ahmad Ahmad, ending Hayatou’s 29-year reign as the CAF President. On May 24, 2017, he was appointed President of the National Football Academy by the president of Cameroon, Paul Biya.
Hayatou is the fifth president of the Confederation of African Football. He was born in Garoua, Cameroon, the son of a local Sultan, and became a middle distance runner and physical education teacher. Hayatou had a successful career as an athlete, becoming a member of the Cameroonian national squads in both Basketball and Athletics, and holding national record times in the 400 and 800-meter running.
He is married with four children. The Hayatou family are traditional holders of the sultanate (Lamidat, from the Sokoto Caliphate’s traditional Fula title Lamine) of Garoua. Hayatou was son of the reigning sultan, and many relatives have acceded to powerful positions in Cameroonian society. Most notable is Issa’s brother Sadou Hayatou, a former Prime Minister of Cameroon and longtime high official under Cameroon president Paul Biya, who is among those tapped to succeed him in the future. The Hayatou family continue to wield much political influence in northern Cameroon.
In 1974, aged just 28, he became Secretary General of the Cameroon Football Association, and Chair of the FA in 1986. As chair, he was chosen the same year to sit on the CAF Executive Committee. Following the retirement of Ethiopia’s Ydnekatchew Tessema from the CAF presidency in August 1987, Hayatou was elected as the fifth president in the body’s history. He lost his seventh re-election campaign to Ahmad Ahmad in March 2017.
President of CAF for over two decades, Hayatou has overseen particularly successful FIFA World Cup appearances by Senegal, Nigeria, and Cameroon, and pushed for African places in the finals to increase from two to five, with the 2010 World Cup in South Africa seeing the hosts garner an automatic sixth spot for an African team. Mr. Hayatou has presided over both the bid and the organising committee for the 2010 games, the first in Africa. The African Cup of Nations finals expanded from 8 to 16 teams, in a confederation of over 50 nations in six zones and five regional confederations. Club competitions have undergone a similar growth in both numbers and scale, with more clubs participating in the African Cup of Champions Clubs, the CAF Confederation Cup (begun in 2004 for national cup winners and high-placed league teams), the CAF Cup, and the CAF Super Cup. There has also been an expansion outside men’s football, with the CAF overseeing Youth, Women’s, Fustal, and Beach soccer competitions pack running.
One of the major aims of Hayatou’s presidency in the late 1990s was to provide incentives to African football clubs which would stem the flow of African players to Europe; an initiative which met with little success. Hayatou has couched some criticism of the uneven flow of football ‘resources’ in colonial terms insulated stainless steel bottle, saying that “rich countries import the raw material – talent – and often send their less valuable technicians”, an implied criticism of foreign coaching staffs that employed by most African national sides. A September 1997 initiative negotiated by Hayatou with UEFA saw the payment of fees to African governing bodies and clubs for African-born players working in Europe. This was followed by the Meridian Project signed in December 1997 with UEFA, which was to provide cash payments to African National Associations every other year, and created the UEFA–CAF Meridian Cup. The 1999 Goal Project created with FIFA gives 46 African FAs financial support worth one million dollars over four years. These negotiations, regardless of their impact on African club football, forged a close relationship between UEFA leaders and Hayatou, and led to UEFA’s backing of Hayatou’s nomination to replace Sepp Blatter as head of FIFA in 2002. Blatter, supported by the American and Asian confederations, defeated Hayatou by 139 votes to 56.
In November 2010 Andrew Jennings, the presenter of FIFA’s Dirty Secrets, an edition of BBC’s flagship current affairs programme Panorama alleged that Hayatou had taken bribes in the 1990s regarding the awarding of contracts for the sale of television rights to the football World Cup. Panorama claimed to have obtained a document from a company called ISL which showed that Hayatou was paid 100,000 French Francs by the company. ISL won the contract to distribute the television rights. Hayatou has denied the allegations, saying that the money went not to him but to CAF life glass water bottle. The IOC has announced it will investigate Hayatou, due to his membership of the organisation.
In May 2011 best water packs for running, The Sunday Times published claims from a whistle-blower that Hayatou had, along with fellow Executive Committee member Jacques Anouma, accepted $1.5 million bribes from Qatar to secure his support for their bid for the 2022 FIFA World Cup.
Just days before the end of the 2010 African Cup in Angola, Issa Hayatou found himself in the middle of a controversy after the CAF’s suspension of Togo national football team from the next two African Cup of Nations. Hayatou charged the Togolese government with interference in the Togolese Football Association’s affairs when the team withdrew from the 2010 cup prior to its start. The Togolese team was victim of an 8 January 2010 armed attack while travelling to Angola by bus prior to the start of the Cup, resulting in two deaths in the Togo delegation. Togolese captain Emmanuel Adebayor and Togo coach Hubert Velud strongly criticised Hayatou in particular for the CAF decision, calling on him to resign from the CAF presidency.
On 21 September 2011 it was announced that FIFA had appointed Hayatou President of FIFA’s Olympic committee and approved his role as chairman of the Goal Bureau. Hayatou had previously headed FIFA’s Olympic committee from 1992 to 2006. At the time of his appointment, Hayatou was still under investigation for alleged bribery. It was later denied by FIFA that Hayatou had been appointed President of the Olympic committee, his apparent appointment was described as “a technical error”.
On 3 November 2007, Hayatou was awarded an honorary degree from Ladoke Akintola University of Technology in Ogbomosho, Oyo State, Nigeria.
Jim Long (born Timothy John Moynihan, February 7, 1943, Worcester, Massachusetts) is an Irish-American entrepreneur, whose pioneering marketing concepts and creative “firsts” are iconic in the broadcast music industry.
Experienced in the development of intellectual properties, his business holdings have focused on music production, master recordings, music publishing, and broadcast licensing and syndication for the radio, television and film industries.
Long founded/co-founded numerous broadcast and radio syndication companies, including Dallas-based TM Productions/Starr Broadcasting, FirstCom/Jim Long Music, Long-Pride Broadcasting, and a Nashville-based music and publishing group, OneMusic.
At various times, he has also held owner interest in 19 radio and TV stations throughout the U.S. His record label, Honest Entertainment, has produced Grammy-nominated albums, and he has numerous awards from the advertising and broadcast industries.
Today, Long is CEO of Los Angeles-based Telos Holdings, Inc. which owns Point Classics one of the world’s most extensive classical music catalogs, with over 3500 major compositions – and is chairman of the internet-based music service company, Crucial Music Corporation, which he co-founded in Los Angeles. He also co-founded L.A.-based Elias Arts Music Library.
Long (who took his maternal grandfather’s name when he began his career as a radio announcer) was the only child of John Francis Moynihan and Marion Long Moynihan, whose families immigrated to New England from County Kerry and County Mallow, Ireland in the 1800s runners fuel belt. Always in some form of law enforcement, Long’s father retired as a United States Air Force Major (Provost Marshall in Germany) and corrections officer for the State of Massachusetts. His mother was a registered nurse and homemaker.
Fascinated by radio since childhood, Long built his first vacuum tube radio transmitter at the age of 13 and started his own radio station in his basement in Marlborough, Massachusetts. It was a successful enterprise until the Federal Communications Commission (FCC) showed up to confiscate his transmitter. It was interfering with a local radio station’s signal. (Long later went to work for the station, WMRC, Milford, Massachusetts). At 15, he produced his first record, “Liza Lee” by Roger and The Markees, and started his own record company, Dell Mont Recording, to release it (also in his basement, using his savings and a $200 loan from his mother). This gave him his first taste of artist promotion, record production, and distribution, especially “returns”. After high school, Long worked at Walgreens Drug Stores, while taking courses in broadcasting, to fulfill his goal of becoming a D.J./radio announcer.
He joined the United States Navy and was stationed at Anacostia Naval Base in Washington, D.C., where he served in the elite U. S. Navy Ceremonial Guard, with duty at Arlington National Cemetery. Honorably discharged, he returned to civilian life to pursue a career in broadcasting, where he put his talents as a writer and producer to work.
Jim Long was the first to:
Beginning in 1961, Long worked as an announcer, producer and program manager at radio stations in Keene (WKBK), Dover (WTSN) and Manchester (WFEA), NH; Westfield (WDEW) and Southbridge (WESO), Massachusetts; Waterbury, Connecticut (WWCO); Springfield, Vermont (WCFR); Bangor, Maine (WGUY); Messina (WSTS), Malone (WICY), Utica (WRUN) and Syracuse (WOLF) New York; Orlando, Florida (WKIS); and Indianapolis (WIBC), Indiana.
While at WKIS in Orlando, he started his first production business, Jim Long Productions, later renamed Audio Associates International, but quickly learned that when expenses exceed income, it is time to figure out how not to repeat that lesson. He never failed at business again.
In early 1967, after a year as Program Director of WIBC/Indianapolis, the 24-year-old Long was given the opportunity to move to Texas by composer Tom Merriman who was working at Dallas-based Commercial Recording Corporation (CRC). Within six months, he and Merriman would launch TM Productions, Inc. with $10,000 capital.
In 1967 TM Productions began as a music production company, producing commercial jingles and broadcast station identifications (IDs). Long conceptualized and co-produced an entirely new approach to station IDs which provided stations a natural flow from commercial breaks to station IDs to music programming, increasing listenership and ratings. Called “Phase 2”, “The Propellants” and “The Winning Score”, these programs were quickly adopted by top stations including KILT Houston, WCFL Chicago and KHJ Los Angeles. He also created IDs that sounded like the hit songs the stations were playing (e.g., “And the Beat Goes On” and “Charisma” for WCFL Chicago and KLIF Dallas). These concepts were extremely successful and soon widely imitated within the industry.
TM Productions was the first production-syndication company to create and market comprehensive multi-media image campaigns for radio stations, complete with station IDs, print and broadcast advertising, promotional materials, and market research programs. (“Someplace Special”, “Rhythm of the City”, “You”, “Where You Belong” and “Where Your Friends Are”) These image campaigns increased ratings at stations like WCOL Columbus, KRFC San Francisco, KHJ Los Angeles, and WIBG in Philadelphia. These award-winning campaigns could be syndicated for use in non-competing markets.
A similar format image campaign was also developed for television stations, with WLKY-TV in Lexington, Kentucky serving as the pilot. Called ColorTheme, it incorporated animation and music for station IDs and was customized for many major market TV stations, including the MetroMedia Group, Inc.
Long also introduced commercial services libraries – full service, multi-media advertising campaigns designed for local advertisers by award-winning composers and writer-producers. For the first time, radio stations could provide high quality advertising campaigns to their advertising sponsor clients. The Producer (1973) and MasterPlan (1976) were licensed to over 2000 radio stations pack running, worldwide, and generated millions of dollars in additional revenue for local radio broadcasters.
The scope of the business included three additional product divisions:
TM Programming, a full service radio programming firm, created and produced customized services for over 500 radio stations throughout the U.S., including market analysis, and music programming in four different musical formats: Beautiful music, stereo rock, soft rock, and country. It was the first to successfully automate mainstream rock programming (WGY-FM in Albany, New York) and the first syndicator to successfully program country music on FM radio (WSOC-FM, Charlotte, North Carolina).
TM Special Projects produced music “specials” for broadcast, including the first ever 48-hour history of album rock, Album Greats, which was aired by hundreds of top progressive rock radio stations, upon its release in 1977.
TM International provided worldwide distribution of the products of the TM Companies.
By the early 1970s, the TM Companies had become internationally recognized as the radio industry’s leading provider of music libraries and programming. When Long left to found FirstCom in 1980, he had accumulated dozens of industry and broadcast awards, including nine Clio awards. He had built the largest and most successful broadcast syndicator of its kind in the world.
The success of the TM Companies brought suitors and, on October 15, 1973, Long and Tom Merriman sold TM to Starr Broadcasting Group, a broadcast oriented, publicly held corporation whose primary shareholder and Chairman of the Board was William F. Buckley. Long and Merriman (who both became multi-millionaires in the deal) continued in their roles with TM, but sought to buy back the company in 1976 when the U.S. Securities and Exchange Commission (SEC) began an investigation into Buckley’s business affairs, accusing him and several members of the Starr Broadcasting board of directors of fraud and misuse of shareholder’s funds. On July 17, 1979, Starr Broadcasting Group, along with its 13 radio and television stations and the TM Companies, was merged with Shamrock Broadcasting Corporation, a privately held Los Angeles company controlled by the Roy E. Disney family. Since Long’s vision for the future of the TM Companies did not match that of Shamrock’s management, he resigned on December 31, 1979.
Under various ownerships since 1980, today TM Studios/Productions continues to provide commercial production services to the broadcast industry.
Long founded FirstCom in 1980 to provide broadcasters with a new level of promotion, music production services, and high-end creative ideas, using emerging technologies. He called his new commercial services library “The Creative Department” and was considered a pioneer in his use of market research to develop audience share and increase profitability – resulting in a series of syndicated promotions, sales training programs (Sales Performance System), and high quality music production libraries, unsurpassed in the industry, at that time.
In 1984, Long introduced the first ever compact disc (CD) production music library, Digital Production Library. This production format soon became the industry standard (instead of vinyl). By this time, FirstCom had become one of the largest stock music library companies worldwide. Long had reinvented the company to look beyond radio at the broader arena of domestic and international copyrights/music publishing, exploring audio-visual and digital technologies not yet widely used by business. He also expanded FirstCom’s marketing to include sales to television and film music clients, a concept he later expanded upon when he created OneMusic and Crucial Music Corporations.
In 1992 FirstCom was the first company to put their entire music catalog online and to offer an online music delivery system, called MusiQuick so that clients had immediate access to their production tools on the internet.
Long sold FirstCom and the Jim Long Companies, Inc. in 1990 to Clive Calder’s Zomba Enterprises/Jive Records of London. He continued as Chairman and on-going consultant until 1995. FirstCom is now owned by Universal Music Group.
In 1980, Long formed Long-Pride Broadcasting with friend and business associate, country singer Charley Pride. They shared ownership in several real estate ventures, a Texas bank, and oil and gas leases and acquired radio stations KQAM/KEYN in Wichita, Kansas and KAYC/KAYD in Beaumont, Texas. The company was dissolved in 1987 after the sale of its radio stations.
In 1990, Long founded OneMusic in Del Mar, California and created yet another innovative music library, increasingly used in radio, television (e.g., Saturday Night Live), and film production (e.g., the Oscar-winning A Beautiful Mind). And, LiquidTracks, a new concept in music production services, allowed clients to actually remix music to their own specifications. Long sold 50% of the OMC Library to Clive Calder’s Zomba/FirstCom, which was purchased by BMG in 2002. In 2005 BMG purchased the remainder of the OMC Library from Long.
Divisions of OneMusic, but not part of the sale to BMG, included Honest Entertainment Group, Inc. and The Gold Label.
Having already produced artists for the Capitol, MCA, and Atlantic labels, Long started his own record label in California in 1992, Honest Entertainment, as a vehicle for re-launching Charley Pride’s career. He produced three albums for Pride (Pride, My 6 Latest & 6 Greatest, Platinum Pride, Volumes 1 & 2, and Classics with Pride) which provided impetus for the Country Music Association Awards (CMA) to recognize Pride with their Pioneer Award and other accolades. As part of his marketing strategy, Long created the first direct response marketing (DR) campaign for a major artist that used 800# marketing to drive new retail sales, selling over 500,000 units through the combination of DR and retail. Honest developed similar campaigns for other artists, including country superstar, Alan Jackson.
Honest Entertainment opened offices in Nashville in 1994 and became known for its niche marketing of Irish artists, including Foster & Allen, Daniel O’Donnell, and Ronan Hardiman, the composer for Michael Flatley’s Lord of the Dance extravaganza. Honest also had its own roster of singer/songwriters, including Kate Wallace for whom Long produced the first “CD Plus” for a new artist marketing campaign, providing biographical audio as well as music video and behind the scenes footage (a new technology format, now familiar on DVD). It was at this time that he pioneered the use of the (almost unheard of then) Internet chat rooms for music listening tests, focus groups and market research.
Honest also featured a group of legendary older artists, including Jack Jones, for whom Long produced two albums, one of which received a Grammy nomination in 1998, Jack Jones Paints a Tribute to Tony Bennett (Bennett actually won the Grammy that year for his own CD.)) This group of older artists became a separate company, The Gold Label, in 1999 and was sold to Pat Boone in 2001.
Formerly known as OneMusic Corp electric tenderizer, and later as Crucial Music Corp. (before these were spun off as separate entities), Telos is the parent company from which Long continues to consult for the music industry. Telos also owns the Point Classics catalog, one of the world’s largest classical music libraries, and has investments in a number of other music publishing catalogs.
One of the first 100% online companies to use the Internet to link independent artists and musicians to those in the music industry who want their songs. CMC licenses music to radio, television, and film. A former OneMusic-Honest Entertainment executive, Tanvi Patel, serves as CEO and partner, while Long serves as chairman.
Several factors influenced Long’s personal and professional development, starting with his interest in music, new technologies and, not surprisingly for a marketing innovator, psychology and human behavior. Having relied upon his own intuition and visions for creativity, he has actively practiced self-realization, as well as business acumen, throughout his life.
In 1976 he completed the Master’s Degree program at the University of San Francisco’s Lone Mountain College, fulfilled all of the requirements for membership in the American Psychological Association, and was granted clinical membership in the American Association for Marriage and Family Therapy. Although he eventually decided not to pursue a career change to full-time psychology, he did co-found the Southwest Institute of Transactional Analysis in Dallas – a community counseling center and training institute for aspiring and professional counselors/therapists – and served as its Executive Director in 1975–1976.
His love of the ocean and a more relaxed lifestyle brought him to California in the mid-1980s, where he purchased a home in La Jolla and then helped design and build his dream house in Del Mar, near San Diego. After a period of commuting from California to Tennessee during his Honest Entertainment/OneMusic years quick way to tenderize steak, he returned to California full-time in 2000 and now lives in Malibu with his wife of 20 years, Deborah DeBerry Long.
On his 48th birthday, February 7, 1991, Long was injured in a car accident in Oxnard, California. Initially diagnosed with a concussion and whiplash, later tests revealed that he had suffered a “closed head” injury, one with long-lasting effects that significantly changed his plans for the future.
Diagnosed with symptoms of Parkinson’s Disease in 2007 (possibly the result of the 1991 head trauma), Long is an active supporter of the Michael J. Fox Foundation for Parkinson’s Research and MusiCares, a non-profit organization founded by the National Academy of Recording Arts and Sciences (NARAS), which provides services and assistance, in times of need, to musicians and members of the music community.
Just as Long was mentored by “the father of modern advertising”, David Ogilvy, he, too continues the tradition of sharing his expertise with students and music industry executives.
He has a son, who is an IT specialist, and a granddaughter, a successful model, singer, and D.J.
Charles Randolph-Wright is an American film pack running, television, and theatre director, television producer, screenwriter, and playwright.
A native of York, South Carolina, Randolph-Wright graduated with honors from York High School. He attended Duke University where he was a recipient of the prestigious A.B. Duke Scholarship and a pre-med student. As an undergraduate, he studied acting with the Royal Shakespeare Company in London and danced with the Alvin Ailey School in New York City. Randolph-Wright graduated with honors from Duke University with a B.A waist bag running. degree in theater and religion.
Randolph-Wright’s earliest Broadway credit was as a member of the original cast of the musical Dreamgirls. He then went on to establish a distinguished career as a director. His recent credits include Motown: The Musical which opened on Broadway in April 2013; Daniel Beaty’s Through The Night, which opened Off-Broadway at the Union Square Theatre in the fall of 2010. He also staged a national tour of George and Ira Gershwin’s Porgy and Bess that launched in 2010 in celebration of the opera’s 75th anniversary. Notable credits include Arena Stage’s Sophisticated Ladies starring Maurice Hines, which enjoyed a record breaking run at the historic Lincoln Theatre in 2010. Randolph-Wright also directed two acclaimed productions for Arena Stage of musicals written by Frank Loesser. His revival of Guys and Dolls, which also starred Hines, was selected by the Loesser estate to tour in celebration of the musical’s 50th anniversary. Randolph-Wright also directed Senor Discretion Himself thermos tritan hydration bottle with meter 24 ounce, the last musical written by Mr. Loesser before his death in 1969, which was based on a story by Budd Schulberg and co-written with Culture Clash. The production earned a 2005 Helen Hayes Award for Outstanding Regional Musical.
Randolph-Wright’s directing credits also include Brian Stokes Mitchell’s acclaimed solo show Love/Life at Lincoln Center Theater, They’re Playing Our Song (in Portuguese) in Rio de Janeiro and São Paulo, Brasil, Daniel Beaty’s Emergency at the Geffen Theatre, Blood Knot, featuring music by Tracy Chapman, at the American Conservatory Theater in San Francisco, and the world premiere of Oni Faida Lampley’s Tough Titty at the Williamstown Theatre Festival. Charles also directed and co-wrote Me and Mrs. Jones, a musical which starred Lou Rawls and featured the classic R&B music of the Sound of Philadelphia at the Prince Music Theatre, The Diva Is Dismissed, starring Jenifer Lewis at the Public Theater and the Hudson Theatre in Los Angeles, Homework starring Kim Coles water in glass, and Just Between Friends starring Bea Arthur, which toured internationally and was mounted in a Tony nominated run on Broadway.
Randolph-Wright’s playwriting credits include Blue, which premiered at Arena Stage in April 2000. With music by Nona Hendryx and direction by Sheldon Epps, it starred Phylicia Rashad, Hill Harper, and Michael McElroy. The Roundabout Theatre Company produced the New York premiere of the play in the summer of 2001. The play received a subsequent production at Pasadena Playhouse. Randolph-Wright also wrote and directed the premiere of Cuttin’ Up at Arena Stage in the fall of 2005. Adapted from Craig Marberry’s best selling book “Cuttin’ Up: Wit and Wisdom from Black Barber Shops,” subsequent productions of the play were produced at Pasadena Playhouse, Cleveland Play House, and the Alliance Theatre in Atlanta. His play, The Night Is A Child, premiered at the Milwaukee Repertory Theater in March 2008 under the direction of Timothy Douglas. The play received its West Coast premiere in September 2009 in a production at Pasadena Playhouse directed by Sheldon Epps and starring Jobeth Williams.
Randolph-Wright received the 2010 Paul Robeson Award from Actors’ Equity Association. The annual award honors individuals for their exemplary artistic and humanitarian achievements. Past recipients include Ossie Davis, Ruby Dee, Lloyd Richards, and Sidney Poitier. In the summer of 2010, Randolph-Wright received a three-year playwright residency as part of Arena Stage’s American Voices New Play Institute, which began in January 2011. He serves on the Board of Directors of the Roundabout Theatre where he created the “Different Voices” workshop series and the artistic board at Duke University. He’s also the founder and artistic director of “Create Carolina”, a multi-disciplinary intensive arts experience first established in 2007.
Randolph-Wright’s television credits include guest appearances on Melrose Place, Falcon Crest and Hill Street Blues. Recently, he has directed episodes on Oprah’s new hit series Greenleaf. He has directed episodes of the series Lincoln Heights on ABC Family and South of Nowhere on the N Network. Randolph-Wright was also the producer and writer of the critically acclaimed Showtime series Linc’s and a writer/consultant on the Fox series “Lush Life”. He has also directed many commercials, including the European “Freestyle” campaign for Nike, which won several international commercial awards, and music videos. His musical staging has been seen on a variety of programs, including The Golden Girls.
Randolph-Wright made his directorial film debut with “Preaching To The Choir”, which earned the 2005 American Black Film Festival’s Best Actor and Audience awards and its Grand Jury Prize. He has also developed screenplays for Showtime, HBO, Walt Disney Pictures, Victory Entertainment, Producers Entertainment Group, Tim Reid Productions, and 20th Century Fox. He also co-wrote the screenplay White Chocolate with John Leguizamo. Randolph-Wright was the co-producer of the Angela Davis Story for Castle Rock Entertainment, and developed the short film Family Tree (Disney).
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