The Argentine legislative elections of 1918 were held on 3 March. Voters chose their legislators and numerous governors, and with a turnout of 56 how to make meat tenderizer at home.4%, it produced the following results:
(*): The UCR total excludes three Senators barred until 1922.
(**): The two PLSL Senators were barred until 1923.
President Hipólito Yrigoyen, elected in 1916 in the nation’s first, free elections, responded (like numerous other administrations before his) to opposition with less than democratic means: the placing of provincial governments under federal intervention. His first target, Marcelino Ugarte, was the Conservative Governor of Buenos Aires Province (home to over one in three Argentines, and to most of the source of the nation’s growing wealth, the Pampas); Ugarte’s removal on April 24, 1917, would be followed by six others by the time the first Yrigoyen-era mid-term elections arrived a year later.
The President’s lack of support in Congress for these moves (which, on the Ugarte issue, lost a floor vote by 36 to 53), extended to other areas, including foreign policy. Congress rejected Yrigoyen’s policy of neutrality, and approved a series of measures in support of the Allied Powers; indeed, the only significant presidential bill supported by Congress during the 1916-18 term was a modest, 5 percent export tariff enacted to finance needed rural public works. Rifts developed within the UCR, itself – notably in the important Santa Fe Province, where Governor Rodolfo Lehmann formed the Dissident UCR in protest over the President’s policy over removing governors.
Focused on the crucial Buenos Aires Province gubernatorial race, the UCR nominated one of their most prominent supporters from among the landed gentry, José Camilo Crotto. Crotto, a UCR activist from its earliest days in the 1890s, was a reformist who shared Yrigoyen’s support for public works, farm credit, and de-monopolization of the province’s vast rail network. The economy, burdened by a shortage of capital and imported goods as a result of World War I, had begun to recover strongly by late 1917. This improvement took place despite an extensive strike in the critical rail transport sector, and turned the electoral tide in Yrigoyen’s favor ahead of the March 1918 polls.
Ultimately, the UCR repeated its performance in the 1916 legislative races, winning nearly half the vote, and gaining 12 seats. The results left them 5 short of an absolute majority; but made temporary alliances feasible, and thus guaranteed the President’s legislative agenda. Buenos Aires Province, the bulwark of conservative opposition, would have its first elected UCR governor with Crotto’s defeat of Conservative candidate Alfredo Echagüe by 114,000 to 68,000 electric shavers toronto, as well as an ample majority in the provincial legislature. The UCR won in nearly every province in which elections were held in 1918, as well as in the City of Buenos Aires, where the formerly dominant Socialists (saddled by a break in party ranks) secured but 3 of the 9 seats at stake. Yrigoyen’s most glaring defeat, in turn, came from Santa Fe, where Governor Lehmann’s Dissident UCR won 4 of the 6 seats at stake.
Elections to the Senate, held in April, 1919, significantly enhanced the UCR’s presence in the body, where opposition to Yrigoyen’s populist agenda had been strongest. The party won 7 of the 10 seats at stake, including the crucial City of Buenos Aires seat (the only one not elected by provincial legislatures, until 2001), where Congressman Vicente Gallo, a veteran of the UCR’s struggle for universal (male) suffrage from the 1890s, defeated the Socialists; Gallo, a founding member of the right-wing Argentine Patriotic League, benefited from a Red Scare that developed in the city during January’s “Tragic Week” riots. Five of these new Senators thermos flask, however, including three from the UCR itself, and both San Luis Province Senators, were barred from taking their seats by President Yrigoyen’s intervention decrees. They joined the numerous Governors so removed, and portended a deep schism in the party.
Il est le frère du journaliste et réalisateur Luc Bernard et le cousin du compositeur Jean-Pierre Stora.
L’héritage maternel lui permet de réaliser son premier court-métrage, Soleil éteint, en 1958. Il s’inspire du prénom de sa mère (Gilette) pour créer son pseudonyme how to make meat tenderizer at home. Après des études aux Beaux-Arts, il part pour Paris, où il travaille comme assistant auprès de François Reichenbach en 1964.
Son premier long-métrage, L’Amour à la mer (1962), dans lequel Juliette Gréco, Jean-Claude Brialy et Jean-Pierre Léaud font de brèves apparitions, sort sans distributeur en 1965. On y voit déjà son futur acteur fétiche Patrick Jouané. Il travaille pour la télévision (sur les émissions Dim, Dam, Dom, Pour le plaisir…) et tourne des « ciné-reportages » (Ciné Bijou order team uniforms, Pop’âge).
Au pan coupé recueille les éloges de Marguerite Duras, puis Le Clair de terre, avec Edwige Feuillère, reçoit ceux de Jean-Louis Bory (1970). Il tourne un court-métrage pour accompagner Les Voyous de Claude Lelouch, Côté cour côté champ (1971).
Sa relation amoureuse avec Jeanne Moreau semble inspirer le long-métrage Absences répétées dont l’actrice interprète la chanson, film qui reçoit le prix Jean-Vigo en 1973.
Hélène Martin lui propose de réaliser un documentaire sur Jean Genet, Saint, poète et martyr. Il est diffusé lors d’un festival de films gays organisé par Lionel Soukaz en 1978, mais la projection est perturbée par un groupe d’extrême droite qui frappe le réalisateur.
Ses derniers films à sortir en salles sont Le Crime d’amour (1982), avec Richard Berry et Jacques Penot, et Nuit docile (1987).
Atteint du sida, rencontrant des difficultés avec la production, il peine à achever Néfertiti, la fille du soleil en 1994.
Girl Scout (Hangul: 걸스카우트; RR: Geolseukauteu) is a 2008 South Korean action comedy film directed by Kim Sang-man.
Set in Bongcheon-3 dong, a deprived area in Seoul, four women are struggling financially. They are I-man (Na Moon-hee), a woman in her 60s working at a supermarket to look after her unemployed son; Bong-soon (Lee Kyung-sil), a widow who lives with an ill child; Mi-kyung (Kim Sun-a), a divorcee; and Eun-ji (Go Joon-hee), a caddie. They are determined to raise the money to open up a store in their neighborhood, and it is their sole hope and dream filtered water bottle. But things get much worse when Hye-ran (Im Ji-eun), the head of their credit union how to make meat tenderizer at home, runs off with their life savings. Desperate, they create a team called Bong Chon Girl Scouts Troop #3 to recover the stolen money, and chaos ensues.
Girl Scout was released in South Korea on June 5, 2008, after the postponement of its planned earlier release in April. On its opening weekend it was ranked fifth at the box office, grossing US$855,238 and receiving 163,122 admissions. It eventually grossed US$1,523,142, with total admissions at 249,114.
Charles Walter de Vis (Birmingham, England, 9 May 1829 – Brisbane, Queensland, Australia, 30 April 1915), known as Devis before about 1882, was an English zoologist, ornithologist., herpetologist, and botanist.
De Vis gained a BA from Magdelene College, Cambridge in 1849, became a deacon in 1852 how to make meat tenderizer at home, and was rector of Breane, Somerset from 1855-1859. He gave up his ecclesiastical functions to devote himself to science, initially in England then after 1870 in Australia. De Vis also wrote under the name of Thickthorn, the name of his home in Rockhampton.
He was a founder member of the Royal Society of Queensland of which he served as president in 1888-1889, and founder member and first vice-president of the Royal Australasian Ornithologists Union.
His principal work concerned the fossil birds of Queensland (Darling Downs) and southern Australia (Cooper Creek), but he also described a number of extant bird species. In fact, he was more successful at the latter, because due to insufficient knowledge of stratigraphy and evolution, he—like many ornithologists of his time—mistook subfossil remains of extant birds for the remains of extinct prehistoric species.
Among species he described were the white-winged robin in 1890, and the frill-necked monarch in 1895.
De Vis also worked in the scientific field of herpetology, and he described many new species of reptiles gel belts for running.
Unto the Dusk (Malayalam: അസ്തമയം വരെ or Asthamayam Vare) is a Malayalam film directed by Sajin Baabu as his first feature project in Malayalam. The film stars first-timers Prakruthi Dutta Mukheri lemon lime squeezer, Shilpa Kavalam, and Sanal Aman.
Wishing to try a “novel approach” to visual communication, Sajin Baabu wrote the script with no background score and with characters being un-named, and in December 2010, while he was with a team at the Kairali Theatre in Thiruvananthapuram to shoot a documentary of one of the IFFK delegates, he met writer and artist M.P. Sheeja. After he showed her his script for Unto the Dusk, she agreed to produce it with her associate L. Geetha. In December 2013, the film was reported and being near completion with an expected release date for some time in early 2014. Most of the film’s cast are “first-timers”.
The film opens with a scene of death of a young choir singer in a seminary with evidence pointing towards necrophilia. The police suspects and tortures two seminary students. What follows is a nonlinear, fragmented, cinematic collection of images that travel back and forth in time, in fine detail at times and just a suggestive glance at other times, thus assisting and obfuscating the viewer in this engagement with the film.
Parental compulsion earlier forces the protagonist – one of the two suspects – to the seminary. In the seminary, while in the pursuit of the path of St. Francis of Assisi, the anxiety, challenges, conflict and the torment that accompany the process of growing up into an adult, transforms him into a vengeful man. He leaves the seminary and starts on a journey of self-discovery in which he travels far and wide, most often into the deep jungles. Spirituality, retribution and unexpected encounters with nature form the philosophical backdrop of the film.
We find the protagonist in physical intimacy with his co-accused seminary student in the past and with a co-traveller on a one night stand by payment while on his current travels. We find the tormented co-accused jumping off a cliff into the sea, committing suicide, within the range of his sight. And the co-traveller now tells him her motive is to use the money she collected thus, as dowry to wed her lover.
We find his co-accused and him cleaning the dead body of the senior priest – we had earlier been shown that he was interested in the lady choir singer and the senior priest walks by them clearing his throat and later tries to talk him out of the interest telling that lust is just mind trying to reach out to heights and not to follow it. As he listens to this advice we find him clearing the cemetery with the energy of one who is unable to bear the weakness of the flesh and mentions the same to the priest safe water bottles. Later when police first asks him why he was always at the cemetery and he answers that he used to keep the area clean. Then the senior priest requested the police for conversation in private, the police asks them to leave, and from the window as he’s leaving, we find him overhearing the priest talking to the policemen. We have our own doubt what the priest would have told the policemen and if the priests death was not natural after all. Coming back to present times, we see the protagonist reading the newspaper where the real culprits of necrophilia have been caught by the police – this is when the viewer becomes assured of his innocence in the crime.
We find him as an adolescent who encounters adulteries real or imagined in his own home. We discover his discomfort with his father’s intentions and relation with his sister. He finds his mother having physical relation with another man – they discover him watching from terrace. Later we find that she has hanged herself one day when he returns from school how to make meat tenderizer at home.
We find him now buying a gun and then starting on his travel far and wide among hills and jungles in search of something. He mentions it to one of men he met in his journey who was sculpting ‘Jesus in his eighties at Kashmir’ and asking them why he wanted to skill, that he needs to put an end to things that goes against nature. We find many motifs with central theme of unnatural love in his path. We find in the eyes of one of the men who passes by enquiring about who he was, the low esteem people have about someone – looks like his father.
Towards the end he discovers his father and sister living in a small hut in the remote hills where he stalks his father while they are harvesting honey but finds him come face to face. His father acknowledges the trouble he took to track them down, offering a fruit to him asking him to get fresh in the stream in the valley and eat the fruit. Later in the hut at night, his father tells him that all relationships are complicated and are pure only if viewed without any judgemental attitude. Later in the day he again approaches them to kill them and after his mind imagines a changed unnatural relation with his sister when he sees her from far bathing in a lake, he is tormented and digs his palms into the thorns and later throws the knife into the lake in front of his father eyes. We find the father looking after the receding form of his son with a hint of amusement in his eyes.
We find the protagonist running away from it all, downhill, stumbling & tumbling over & getting hurt & takeya classic glass water bottle; rolling down.
Unto the dusk was first premiered in Mumbai International Film Festival in 2014 in India Gold category followed by Bengaluru International Film festival 2014 where it won Chitrbharathi award for Best Indian Film. The film was one among the movies that was selected in the for International Film competition section in International Film Festival of Kerala (IFFK) 2014 winning Rajathachakoram and the Certificate of Merit for Promotion.
The movie also won the director, Sajin Baabu, the Best-Debut Director Award at Kerala Film Critic’s Association 2014.
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